Recently, Willow’s unclouded vision has established her as the go-to musician for tracks that require a bit more edge. She has contributed this to PinkPantheress’s “Where you are” and Camila Cabello’s “psychofreak.” Even well-established rock musicians are aware that a Willow feature, like as on MGK’s “emo girl” and Yungblud’s “Memories,” might give them an extra boost.

There was “no specific reason” why these musicians were searching for Willow, according to Shari Bryant, co-president of Roc Nation. Some may be drawn to her perspective, while others may be drawn to the enormous audience she reaches with her 30 million weekly streaming. There’s nothing like her aura anyplace else.

Willow will undoubtedly have to postpone her dream of an early retirement because she is in high demand, regardless of whether she chooses to follow someone else or go solo. According to Bryant, who has worked with musicians for more than 20 years, “when they get that level of excitement, they usually don’t slow down.”

What Willow fervently describes as “some of the best music I’ve ever made” is the result of that determination. Her next album is her most ambitious venture into rock music to yet, and it was co-produced by Chris Greatti. For a young musician already gifted with versatility, this is a daring move. “It has elements of Radiohead, Deftones, and Queen, especially with the major harmonies,” the speaker claims.

“Go play some rock music, please. I have no desire to explore pop punk. She went on, “I don’t want to explore topics that are necessarily hot right now. “I wanted to understand the essence of rock music, which was a profound protest in my mind; perhaps it was about joy, maybe it was about pain.”